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The play is unique in that there's only one set involved, but that's all they need: A bunch of 17-year-old students living in Manchester, England who spend most of their time in a rundown room in their prep school's library. And yes, stereotypes definitely come into play. There's the vicious bully, the nerd, the super-nice guy who's friends with everyone, the funny girl, the girl who gets mad if she doesn't get straight A's, the new girl, and then there's Douglas Smith's character—the compassionate guy who's having more trouble than most figuring life out. true religion big boys So whether you're chasing an Oscar or a major profit windfall, it's clear that hiring women and people of color both in front of and behind the camera is key. But put those accolades aside for a moment and ask yourself this: shouldn't studios be inclusive in their hiring processes to begin with? If filmmaking is about telling stories, why would you want the same homogenous group to tell the same homogenous stories, over and over again? The more you include people, the more interesting stories will eventually be told. Because honestly, the last thing Hollywood needs isanother true religion big boys After seven years in captivity, military whistleblowerChelsea Manning is free true religion big boys being the soundtrack to crunchy leaf/cuddly sweaters/coffee season? We’re cozy just thinking about it. true religion big boys